荣耀六十年

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor 详情

• HD中字

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• HD中字

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• HD中字

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• HD中字

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  唐国强,刘劲,黄景瑜,王丽坤,秦岚,林永健,马天宇,张涵予,马晓伟,濮存昕,刘之冰,高曙光,王伍福,刘沙,王健,张子健,曹炳琨,吕行,叶禾,乌兰托雅·朵,周涛,孙茜,朱丹,聂远,杜江,吴昊宸,巫刚,田雨,胡文阁,赵毅,张建亚,马仑,李士龙,程治平,黄薇,邢岷山,赵宁宇,杨皓宇,高戈,朱亚文,黄志忠,金巧巧

• HD中字

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• HD中字

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• HD

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  肯尼思·布拉纳,汤姆·巴特曼,米歇尔·菲佛,黛西·雷德利,威廉·达福,乔什·加德,约翰尼·德普,小莱斯利·奥多姆,佩内洛普·克鲁兹,朱迪·丹奇,德里克·雅各比,帕帕·厄希度,迈克尔·劳斯,艾略特·利维,约瑟夫·朗,安迪·阿波罗,哈德利·弗雷泽,齐亚德·阿巴扎,米尔托斯·耶罗勒曼,凯瑟琳·怀德,杰拉德·霍兰,曼努埃尔·加西亚-鲁尔福,理查德·克里弗特,谢尔盖·波卢宁,亚当·加西亚,露西·宝通,马尔万

• 已完结

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  周扬（配音演员）

• HD中字

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